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Classical concerts featuring
Dr. Angela Beuerle

Overview

Quick overview of musician Dr. Angela Beuerle by associated keywords

CitiesFrequently performs in

Hamburg
Germany
Hamburg
18

ProgramFrequently performs

Works by
Carl Maria von Weber
7
Richard Strauss
Works by
Richard Strauss
6
Works by
Unsuk Chin
5

MusiciansFrequently collaborate with

orchestra
Philharmonisches Staatsorchester Hamburg
18
Musician
Hubert Kowalczyk
13
Musician
Anja Kampe
12
choir
Chor der Hamburgischen Staatsoper
12
Musician
Christian Günther
12

New Arrivals

These concerts featuring Dr. Angela Beuerle became visible lately at ConcertPulse.

Nothing found for now.

Upcoming Concerts

Concerts featuring Dr. Angela Beuerle in season 2024/25 or later

January 26, 2025
Artistic depiction of the event

Ariadne auf Naxos

Sun, Jan 26, 2025, 18:00
Hamburgische Staatsoper, Großes Haus (Hamburg)
Dmitri Tcherniakov (Inszenierung), Dmitri Tcherniakov (Bühne), Kent Nagano (Musical Director), Elena Zaytseva (Costume), Gleb Filshtinsky (Licht), Tatiana Werestchagina (Dramaturgie), Michael Sangkuhl (Dramaturgie), Dr. Angela Beuerle (Dramaturgie), Thorsten Cölle (Regieassistenz), Danila Travin (Assistenz Bühnenbild), Wolfram Koch (Haushofmeister), Martin Gantner (Musiklehrer), Ella Taylor (Komponist), Jamez McCorkle (Tenor), Jamez McCorkle (Bacchus), Peter Tantsits (Tanzmeister), Grzegorz Pelutis (Perückenmacher), Hubert Kowalczyk (Ein Lakai), Nadezhda Pavlova (Zerbinetta), Anja Kampe (Primadonna), Anja Kampe (Ariadne), Björn Bürger (Harlekin), Florian Panzieri (Scaramuccio), Stephan Bootz (Truffaldin), Daniel Kluge (Brighella), Olivia Warburton (Najade), Aebh Kelly (Dryade), Marie Maidowski (Echo), Philharmonisches Staatsorchester Hamburg (Orchestra)
"It is a simple and tremendous problem of life: that of fidelity", is how Hugo von Hofmannsthal described the core of their third opera together, Ariadne auf Naxos, in a letter to Richard Strauss. To live does not mean to persevere and hold on to what has been lost. If you want to live, you have to let go, forget, get over yourself - constantly transform yourself. This is what a young opera composer experiences in this work when he is confronted with the stubborn wishes of his patron; just like the protagonist of his opera, Ariadne, who, abandoned by her lover, Theseus, expects only death. But things turn out differently... Strauss and Hofmannsthal let the opposites collide: Tragedy and comedy, light music and grand opera, playfulness and seriousness. Thus, in the mirroring of art and life, between gaze and gaze, the unfathomable mystery of transformation takes place. Musical Direction: Kent Nagano Production and stage: Dmitri Tcherniakov Dramaturgy: Angela Beuerle, Michael Sangkuhl
Info & Ticket (www.staatsorchester-hamburg.de)
January 29, 2025
Artistic depiction of the event

Ariadne auf Naxos

Wed, Jan 29, 2025, 19:00
Hamburgische Staatsoper, Großes Haus (Hamburg)
Dmitri Tcherniakov (Inszenierung), Dmitri Tcherniakov (Bühne), Kent Nagano (Musical Director), Elena Zaytseva (Costume), Gleb Filshtinsky (Licht), Tatiana Werestchagina (Dramaturgie), Michael Sangkuhl (Dramaturgie), Dr. Angela Beuerle (Dramaturgie), Thorsten Cölle (Regieassistenz), Danila Travin (Assistenz Bühnenbild), Wolfram Koch (Haushofmeister), Martin Gantner (Musiklehrer), Ella Taylor (Komponist), Jamez McCorkle (Tenor), Jamez McCorkle (Bacchus), Peter Tantsits (Tanzmeister), Grzegorz Pelutis (Perückenmacher), Hubert Kowalczyk (Ein Lakai), Nadezhda Pavlova (Zerbinetta), Anja Kampe (Primadonna), Anja Kampe (Ariadne), Björn Bürger (Harlekin), Florian Panzieri (Scaramuccio), Stephan Bootz (Truffaldin), Daniel Kluge (Brighella), Olivia Warburton (Najade), Aebh Kelly (Dryade), Marie Maidowski (Echo), Philharmonisches Staatsorchester Hamburg (Orchestra)
"It is a simple and tremendous problem of life: that of fidelity", is how Hugo von Hofmannsthal described the core of their third opera together, Ariadne auf Naxos, in a letter to Richard Strauss. To live does not mean to persevere and hold on to what has been lost. If you want to live, you have to let go, forget, get over yourself - constantly transform yourself. This is what a young opera composer experiences in this work when he is confronted with the stubborn wishes of his patron; just like the protagonist of his opera, Ariadne, who, abandoned by her lover, Theseus, expects only death. But things turn out differently... Strauss and Hofmannsthal let the opposites collide: Tragedy and comedy, light music and grand opera, playfulness and seriousness. Thus, in the mirroring of art and life, between gaze and gaze, the unfathomable mystery of transformation takes place. Musical Direction: Kent Nagano Production and stage: Dmitri Tcherniakov Dramaturgy: Angela Beuerle, Michael Sangkuhl
Info & Ticket (www.staatsorchester-hamburg.de)
February 5, 2025
Artistic depiction of the event

Ariadne auf Naxos

Wed, Feb 5, 2025, 19:00
Hamburgische Staatsoper, Großes Haus (Hamburg)
Dmitri Tcherniakov (Inszenierung), Dmitri Tcherniakov (Bühne), Kent Nagano (Musical Director), Elena Zaytseva (Costume), Gleb Filshtinsky (Licht), Tatiana Werestchagina (Dramaturgie), Michael Sangkuhl (Dramaturgie), Dr. Angela Beuerle (Dramaturgie), Thorsten Cölle (Regieassistenz), Danila Travin (Assistenz Bühnenbild), Wolfram Koch (Haushofmeister), Martin Gantner (Musiklehrer), Ella Taylor (Komponist), Jamez McCorkle (Tenor), Jamez McCorkle (Bacchus), Peter Tantsits (Tanzmeister), Grzegorz Pelutis (Perückenmacher), Hubert Kowalczyk (Ein Lakai), Nadezhda Pavlova (Zerbinetta), Anja Kampe (Primadonna), Anja Kampe (Ariadne), Björn Bürger (Harlekin), Florian Panzieri (Scaramuccio), Stephan Bootz (Truffaldin), Daniel Kluge (Brighella), Olivia Warburton (Najade), Aebh Kelly (Dryade), Marie Maidowski (Echo), Philharmonisches Staatsorchester Hamburg (Orchestra)
"It is a simple and tremendous problem of life: that of fidelity", is how Hugo von Hofmannsthal described the core of their third opera together, Ariadne auf Naxos, in a letter to Richard Strauss. To live does not mean to persevere and hold on to what has been lost. If you want to live, you have to let go, forget, get over yourself - constantly transform yourself. This is what a young opera composer experiences in this work when he is confronted with the stubborn wishes of his patron; just like the protagonist of his opera, Ariadne, who, abandoned by her lover, Theseus, expects only death. But things turn out differently... Strauss and Hofmannsthal let the opposites collide: Tragedy and comedy, light music and grand opera, playfulness and seriousness. Thus, in the mirroring of art and life, between gaze and gaze, the unfathomable mystery of transformation takes place. Musical Direction: Kent Nagano Production and stage: Dmitri Tcherniakov Dramaturgy: Angela Beuerle, Michael Sangkuhl
Info & Ticket (www.staatsorchester-hamburg.de)
February 8, 2025
Artistic depiction of the event

Ariadne auf Naxos

Sat, Feb 8, 2025, 19:00
Hamburgische Staatsoper, Großes Haus (Hamburg)
Dmitri Tcherniakov (Inszenierung), Dmitri Tcherniakov (Bühne), Kent Nagano (Musical Director), Elena Zaytseva (Costume), Gleb Filshtinsky (Licht), Tatiana Werestchagina (Dramaturgie), Michael Sangkuhl (Dramaturgie), Dr. Angela Beuerle (Dramaturgie), Thorsten Cölle (Regieassistenz), Danila Travin (Assistenz Bühnenbild), Wolfram Koch (Haushofmeister), Martin Gantner (Musiklehrer), Ella Taylor (Komponist), Jamez McCorkle (Tenor), Jamez McCorkle (Bacchus), Peter Tantsits (Tanzmeister), Grzegorz Pelutis (Perückenmacher), Hubert Kowalczyk (Ein Lakai), Nadezhda Pavlova (Zerbinetta), Anja Kampe (Primadonna), Anja Kampe (Ariadne), Björn Bürger (Harlekin), Florian Panzieri (Scaramuccio), Stephan Bootz (Truffaldin), Daniel Kluge (Brighella), Olivia Warburton (Najade), Aebh Kelly (Dryade), Marie Maidowski (Echo), Philharmonisches Staatsorchester Hamburg (Orchestra)
"It is a simple and tremendous problem of life: that of fidelity", is how Hugo von Hofmannsthal described the core of their third opera together, Ariadne auf Naxos, in a letter to Richard Strauss. To live does not mean to persevere and hold on to what has been lost. If you want to live, you have to let go, forget, get over yourself - constantly transform yourself. This is what a young opera composer experiences in this work when he is confronted with the stubborn wishes of his patron; just like the protagonist of his opera, Ariadne, who, abandoned by her lover, Theseus, expects only death. But things turn out differently... Strauss and Hofmannsthal let the opposites collide: Tragedy and comedy, light music and grand opera, playfulness and seriousness. Thus, in the mirroring of art and life, between gaze and gaze, the unfathomable mystery of transformation takes place. Musical Direction: Kent Nagano Production and stage: Dmitri Tcherniakov Dramaturgy: Angela Beuerle, Michael Sangkuhl
Info & Ticket (www.staatsorchester-hamburg.de)
February 13, 2025
Artistic depiction of the event

Ariadne auf Naxos

Thu, Feb 13, 2025, 19:00
Hamburgische Staatsoper, Großes Haus (Hamburg)
Dmitri Tcherniakov (Inszenierung), Dmitri Tcherniakov (Bühne), Kent Nagano (Musical Director), Elena Zaytseva (Costume), Gleb Filshtinsky (Licht), Tatiana Werestchagina (Dramaturgie), Michael Sangkuhl (Dramaturgie), Dr. Angela Beuerle (Dramaturgie), Thorsten Cölle (Regieassistenz), Danila Travin (Assistenz Bühnenbild), Wolfram Koch (Haushofmeister), Martin Gantner (Musiklehrer), Ella Taylor (Komponist), Jamez McCorkle (Tenor), Jamez McCorkle (Bacchus), Peter Tantsits (Tanzmeister), Grzegorz Pelutis (Perückenmacher), Hubert Kowalczyk (Ein Lakai), Nadezhda Pavlova (Zerbinetta), Anja Kampe (Primadonna), Anja Kampe (Ariadne), Björn Bürger (Harlekin), Florian Panzieri (Scaramuccio), Stephan Bootz (Truffaldin), Daniel Kluge (Brighella), Olivia Warburton (Najade), Aebh Kelly (Dryade), Marie Maidowski (Echo), Philharmonisches Staatsorchester Hamburg (Orchestra)
"It is a simple and tremendous problem of life: that of fidelity", is how Hugo von Hofmannsthal described the core of their third opera together, Ariadne auf Naxos, in a letter to Richard Strauss. To live does not mean to persevere and hold on to what has been lost. If you want to live, you have to let go, forget, get over yourself - constantly transform yourself. This is what a young opera composer experiences in this work when he is confronted with the stubborn wishes of his patron; just like the protagonist of his opera, Ariadne, who, abandoned by her lover, Theseus, expects only death. But things turn out differently... Strauss and Hofmannsthal let the opposites collide: Tragedy and comedy, light music and grand opera, playfulness and seriousness. Thus, in the mirroring of art and life, between gaze and gaze, the unfathomable mystery of transformation takes place. Musical Direction: Kent Nagano Production and stage: Dmitri Tcherniakov Dramaturgy: Angela Beuerle, Michael Sangkuhl
Info & Ticket (www.staatsorchester-hamburg.de)
February 16, 2025
Artistic depiction of the event

Ariadne auf Naxos

Sun, Feb 16, 2025, 15:00
Hamburgische Staatsoper, Großes Haus (Hamburg)
Dmitri Tcherniakov (Inszenierung), Dmitri Tcherniakov (Bühne), Kent Nagano (Musical Director), Elena Zaytseva (Costume), Gleb Filshtinsky (Licht), Tatiana Werestchagina (Dramaturgie), Michael Sangkuhl (Dramaturgie), Dr. Angela Beuerle (Dramaturgie), Thorsten Cölle (Regieassistenz), Danila Travin (Assistenz Bühnenbild), Wolfram Koch (Haushofmeister), Martin Gantner (Musiklehrer), Ella Taylor (Komponist), Jamez McCorkle (Tenor), Jamez McCorkle (Bacchus), Peter Tantsits (Tanzmeister), Grzegorz Pelutis (Perückenmacher), Hubert Kowalczyk (Ein Lakai), Nadezhda Pavlova (Zerbinetta), Anja Kampe (Primadonna), Anja Kampe (Ariadne), Björn Bürger (Harlekin), Florian Panzieri (Scaramuccio), Stephan Bootz (Truffaldin), Daniel Kluge (Brighella), Olivia Warburton (Najade), Aebh Kelly (Dryade), Marie Maidowski (Echo), Philharmonisches Staatsorchester Hamburg (Orchestra)
"It is a simple and tremendous problem of life: that of fidelity", is how Hugo von Hofmannsthal described the core of their third opera together, Ariadne auf Naxos, in a letter to Richard Strauss. To live does not mean to persevere and hold on to what has been lost. If you want to live, you have to let go, forget, get over yourself - constantly transform yourself. This is what a young opera composer experiences in this work when he is confronted with the stubborn wishes of his patron; just like the protagonist of his opera, Ariadne, who, abandoned by her lover, Theseus, expects only death. But things turn out differently... Strauss and Hofmannsthal let the opposites collide: Tragedy and comedy, light music and grand opera, playfulness and seriousness. Thus, in the mirroring of art and life, between gaze and gaze, the unfathomable mystery of transformation takes place. Musical Direction: Kent Nagano Production and stage: Dmitri Tcherniakov Dramaturgy: Angela Beuerle, Michael Sangkuhl
Info & Ticket (www.staatsorchester-hamburg.de)
May 18, 2025
Artistic depiction of the event

Die dunkle Seite des Mondes

Sun, May 18, 2025, 18:00
Hamburgische Staatsoper, Großes Haus (Hamburg)
Unsuk Chin (Komposition), Kerstin Schüssler-Bach (Mitarbeit Libretto), Dead Centre (Inszenierung), Kent Nagano (Musical Director), Jeremy Herbert (Bühne), Janina Brinkmann (Costume), James Farncombe (Licht), Sophie Lux (Video), Dr. Angela Beuerle (Dramaturgie), Michael Sangkuhl (Dramaturgie), Christian Günther (Chorleitung), Thomas Lehman (Dr. Kieron), Bo Skovhus (Meister Astaroth), Siobhan Stagg (Miriel), Chor der Hamburgischen Staatsoper (Chorus), Philharmonisches Staatsorchester Hamburg (Orchestra)
Dr. Kieron is a brilliant scientist, respected and feared by his colleagues. But what nobody suspects is that every night he is haunted in his dreams by three recurring beings, enigmatic numbers and mysterious symbols, which he experiences with unbearably intense feelings. It is from these apparitions that he receives his scientific visions - the fundamental basis of his success. He also leads a double life. A highly respected scientist by day, he dives into the shady underworld at night in a restless search for human happiness. But his control over himself is slipping away. In order to satisfy his irrepressible urge for scientific knowledge and an emotionally fulfilling life, Kieron wants to have his dreams analyzed and enters into an alliance with the diabolical master Astaroth, with fatal consequences. Unsuk Chin drew inspiration for her second opera from the life and work of the legendary physicist Wolfgang Pauli and his relationship with the psychiatrist Carl Gustav Jung. Faustian material for the 21st century. Musical Direction: Kent Nagano Production: Dead Centre Stage: Jeremy Herbert Costumes: Janina Brinkmann Lighting: James Farncombe Video: Sophie Lux Dramaturgy: Angela Beuerle, Michael Sangkuhl Commissioned by the State Opera Hamburg with the support of the Ernst von Siemens Music Foundation Opera in two acts and ten pictures Based on a fictional story by the composer, inspired by the relationship between Wolfgang Pauli and Carl Gustav Jung
Info & Ticket (www.staatsorchester-hamburg.de)
May 21, 2025
Artistic depiction of the event

Die dunkle Seite des Mondes

Wed, May 21, 2025, 19:30
Hamburgische Staatsoper, Großes Haus (Hamburg)
Unsuk Chin (Komposition), Kerstin Schüssler-Bach (Mitarbeit Libretto), Dead Centre (Inszenierung), Kent Nagano (Musical Director), Jeremy Herbert (Bühne), Janina Brinkmann (Costume), James Farncombe (Licht), Sophie Lux (Video), Dr. Angela Beuerle (Dramaturgie), Michael Sangkuhl (Dramaturgie), Christian Günther (Chorleitung), Thomas Lehman (Dr. Kieron), Bo Skovhus (Meister Astaroth), Siobhan Stagg (Miriel), Chor der Hamburgischen Staatsoper (Chorus), Philharmonisches Staatsorchester Hamburg (Orchestra)
Dr. Kieron is a brilliant scientist, respected and feared by his colleagues. But what nobody suspects is that every night he is haunted in his dreams by three recurring beings, enigmatic numbers and mysterious symbols, which he experiences with unbearably intense feelings. It is from these apparitions that he receives his scientific visions - the fundamental basis of his success. He also leads a double life. A highly respected scientist by day, he dives into the shady underworld at night in a restless search for human happiness. But his control over himself is slipping away. In order to satisfy his irrepressible urge for scientific knowledge and an emotionally fulfilling life, Kieron wants to have his dreams analyzed and enters into an alliance with the diabolical master Astaroth, with fatal consequences. Unsuk Chin drew inspiration for her second opera from the life and work of the legendary physicist Wolfgang Pauli and his relationship with the psychiatrist Carl Gustav Jung. Faustian material for the 21st century. Musical Direction: Kent Nagano Production: Dead Centre Stage: Jeremy Herbert Costumes: Janina Brinkmann Lighting: James Farncombe Video: Sophie Lux Dramaturgy: Angela Beuerle, Michael Sangkuhl Commissioned by the State Opera Hamburg with the support of the Ernst von Siemens Music Foundation Opera in two acts and ten pictures Based on a fictional story by the composer, inspired by the relationship between Wolfgang Pauli and Carl Gustav Jung
Info & Ticket (www.staatsorchester-hamburg.de)
May 27, 2025
Artistic depiction of the event

Die dunkle Seite des Mondes

Tue, May 27, 2025, 19:30
Hamburgische Staatsoper, Großes Haus (Hamburg)
Unsuk Chin (Komposition), Kerstin Schüssler-Bach (Mitarbeit Libretto), Dead Centre (Inszenierung), Kent Nagano (Musical Director), Jeremy Herbert (Bühne), Janina Brinkmann (Costume), James Farncombe (Licht), Sophie Lux (Video), Dr. Angela Beuerle (Dramaturgie), Michael Sangkuhl (Dramaturgie), Christian Günther (Chorleitung), Thomas Lehman (Dr. Kieron), Bo Skovhus (Meister Astaroth), Siobhan Stagg (Miriel), Chor der Hamburgischen Staatsoper (Chorus), Philharmonisches Staatsorchester Hamburg (Orchestra)
Dr. Kieron is a brilliant scientist, respected and feared by his colleagues. But what nobody suspects is that every night he is haunted in his dreams by three recurring beings, enigmatic numbers and mysterious symbols, which he experiences with unbearably intense feelings. It is from these apparitions that he receives his scientific visions - the fundamental basis of his success. He also leads a double life. A highly respected scientist by day, he dives into the shady underworld at night in a restless search for human happiness. But his control over himself is slipping away. In order to satisfy his irrepressible urge for scientific knowledge and an emotionally fulfilling life, Kieron wants to have his dreams analyzed and enters into an alliance with the diabolical master Astaroth, with fatal consequences. Unsuk Chin drew inspiration for her second opera from the life and work of the legendary physicist Wolfgang Pauli and his relationship with the psychiatrist Carl Gustav Jung. Faustian material for the 21st century. Musical Direction: Kent Nagano Production: Dead Centre Stage: Jeremy Herbert Costumes: Janina Brinkmann Lighting: James Farncombe Video: Sophie Lux Dramaturgy: Angela Beuerle, Michael Sangkuhl Commissioned by the State Opera Hamburg with the support of the Ernst von Siemens Music Foundation Opera in two acts and ten pictures Based on a fictional story by the composer, inspired by the relationship between Wolfgang Pauli and Carl Gustav Jung
Info & Ticket (www.staatsorchester-hamburg.de)
May 31, 2025
Artistic depiction of the event

Die dunkle Seite des Mondes

Sat, May 31, 2025, 19:30
Hamburgische Staatsoper, Großes Haus (Hamburg)
Unsuk Chin (Komposition), Kerstin Schüssler-Bach (Mitarbeit Libretto), Dead Centre (Inszenierung), Kent Nagano (Musical Director), Jeremy Herbert (Bühne), Janina Brinkmann (Costume), James Farncombe (Licht), Sophie Lux (Video), Dr. Angela Beuerle (Dramaturgie), Michael Sangkuhl (Dramaturgie), Christian Günther (Chorleitung), Thomas Lehman (Dr. Kieron), Bo Skovhus (Meister Astaroth), Siobhan Stagg (Miriel), Chor der Hamburgischen Staatsoper (Chorus), Philharmonisches Staatsorchester Hamburg (Orchestra)
Dr. Kieron is a brilliant scientist, respected and feared by his colleagues. But what nobody suspects is that every night he is haunted in his dreams by three recurring beings, enigmatic numbers and mysterious symbols, which he experiences with unbearably intense feelings. It is from these apparitions that he receives his scientific visions - the fundamental basis of his success. He also leads a double life. A highly respected scientist by day, he dives into the shady underworld at night in a restless search for human happiness. But his control over himself is slipping away. In order to satisfy his irrepressible urge for scientific knowledge and an emotionally fulfilling life, Kieron wants to have his dreams analyzed and enters into an alliance with the diabolical master Astaroth, with fatal consequences. Unsuk Chin drew inspiration for her second opera from the life and work of the legendary physicist Wolfgang Pauli and his relationship with the psychiatrist Carl Gustav Jung. Faustian material for the 21st century. Musical Direction: Kent Nagano Production: Dead Centre Stage: Jeremy Herbert Costumes: Janina Brinkmann Lighting: James Farncombe Video: Sophie Lux Dramaturgy: Angela Beuerle, Michael Sangkuhl Commissioned by the State Opera Hamburg with the support of the Ernst von Siemens Music Foundation Opera in two acts and ten pictures Based on a fictional story by the composer, inspired by the relationship between Wolfgang Pauli and Carl Gustav Jung
Info & Ticket (www.staatsorchester-hamburg.de)
June 5, 2025
Artistic depiction of the event

Die dunkle Seite des Mondes

Thu, Jun 5, 2025, 19:30
Hamburgische Staatsoper, Großes Haus (Hamburg)
Unsuk Chin (Komposition), Kerstin Schüssler-Bach (Mitarbeit Libretto), Dead Centre (Inszenierung), Kent Nagano (Musical Director), Jeremy Herbert (Bühne), Janina Brinkmann (Costume), James Farncombe (Licht), Sophie Lux (Video), Dr. Angela Beuerle (Dramaturgie), Michael Sangkuhl (Dramaturgie), Christian Günther (Chorleitung), Thomas Lehman (Dr. Kieron), Bo Skovhus (Meister Astaroth), Siobhan Stagg (Miriel), Chor der Hamburgischen Staatsoper (Chorus), Philharmonisches Staatsorchester Hamburg (Orchestra)
Dr. Kieron is a brilliant scientist, respected and feared by his colleagues. But what nobody suspects is that every night he is haunted in his dreams by three recurring beings, enigmatic numbers and mysterious symbols, which he experiences with unbearably intense feelings. It is from these apparitions that he receives his scientific visions - the fundamental basis of his success. He also leads a double life. A highly respected scientist by day, he dives into the shady underworld at night in a restless search for human happiness. But his control over himself is slipping away. In order to satisfy his irrepressible urge for scientific knowledge and an emotionally fulfilling life, Kieron wants to have his dreams analyzed and enters into an alliance with the diabolical master Astaroth, with fatal consequences. Unsuk Chin drew inspiration for her second opera from the life and work of the legendary physicist Wolfgang Pauli and his relationship with the psychiatrist Carl Gustav Jung. Faustian material for the 21st century. Musical Direction: Kent Nagano Production: Dead Centre Stage: Jeremy Herbert Costumes: Janina Brinkmann Lighting: James Farncombe Video: Sophie Lux Dramaturgy: Angela Beuerle, Michael Sangkuhl Commissioned by the State Opera Hamburg with the support of the Ernst von Siemens Music Foundation Opera in two acts and ten pictures Based on a fictional story by the composer, inspired by the relationship between Wolfgang Pauli and Carl Gustav Jung
Info & Ticket (www.staatsorchester-hamburg.de)